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Secret Prey audiobook cover

Secret Prey β€” Corporate predators meet their match

by John Sandford🎀Narrated by Richard FerroneπŸ“šPrey #9
✍️ 4.2 Editorial
🎀 4.3 Narration
Worth Credit
12h 15m
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Triage Notes

Corporate predators meet their match

  • β€’Bedside Manner: Ferrone's gravelly voice takes adjustment but becomes inseparable from Lucas Davenport - his character differentiation is subtle and effective.
  • β€’Shift Tempo: Complex plot with multiple suspects that rewards attention - perfect for commutes but may require rewinds if you're tired.
  • β€’Patient Profile: Dark corporate thriller that makes boardroom politics feel genuinely dangerous and morally murky.
  • β€’Discharge Summary: Worth a Credit
Read Time4 min read
Duration12h 15m
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Maria Santos, audiobook curator
Reviewed byMaria Santos

Healthcare worker, 15 years hospital experience. Yells at dashboard when medical thrillers get it wrong.

🎧 Listens best driving home from nights, needs smart plotting with accurate details, turned off by lazy metaphors and clichés.

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Look, I need to start with a complaint. Why does every corporate thriller have to open with rich people hunting? Like, we get it - the executives are predators, the woods are a metaphor, someone's gonna get shot. It's been done a thousand times.

But here's the thing - John Sandford actually makes it work. And I'm annoyed about that.

The Night Shift Brain Food I Didn't Know I Needed

I picked this up during a particularly brutal stretch of nights. You know the kind - three codes in one shift, a patient who kept calling me "nurse lady" despite my badge being RIGHT THERE, and charting that seemed to multiply every time I looked away. My drive home needed something meaty. Something to chew on.

Secret Prey delivered. Four executives, one dead chairman, and Lucas Davenport trying to untangle which snake in the pit actually pulled the trigger. The corporate backstabbing is so vicious it made hospital politics look like a kindergarten playground dispute. Litigators had that same cutthroat energy, just with lawyers instead of executives. (And trust me, hospital politics can get UGLY.)

What got me was how Sandford doesn't rush the reveal. He lets you sit with these awful, ambitious people. You start understanding their logic - their terrible, self-serving logic - and that's when it gets uncomfortable. I found myself driving past my exit twice because I needed to hear what happened next.

Richard Ferrone's Voice Is Basically Lucas Davenport at This Point

Okay, so Richard Ferrone. That gravelly voice took me about twenty minutes to adjust to. I'm not gonna lie - at first I thought my car speakers were blown. But then something clicked. His voice IS Lucas Davenport. There's this worn-in quality, like a detective who's seen too much and doesn't have the energy to pretend otherwise.

He does something really smart with the female characters too. Doesn't go falsetto or cartoonish. Just shifts the rhythm, the sharpness. The main antagonist - and yes, I'm being vague on purpose - sounds exactly like the kind of person who'd smile at you while planning your professional destruction. I've worked with people like that. Ferrone nails it.

There are some pauses that felt unnecessary. Little beats where I wondered if he'd lost his place. But honestly? After a 12-hour shift, those pauses gave my brain a second to catch up. So maybe that's a feature, not a bug.

The Medical Stuff (Because You Know I'm Gonna Comment)

There's not a ton of medical content here - it's more boardroom than ER - but when it shows up, it's... fine. Not embarrassingly wrong. Which is honestly all I ask at this point. (You would not BELIEVE what some thriller writers think happens during a cardiac arrest. I've yelled at my dashboard so many times.)

The violence is clinical in a way that felt realistic. Bodies are bodies. Bullets do what bullets do. Sandford doesn't romanticize it, which I appreciated.

Who This Is (and Isn't) For

If you want a cozy mystery where the detective solves things over tea and scones, this ain't it. There's darkness here. Real darkness. The kind where you realize the killer might have a point about corporate America being a blood sport. That's not comfortable listening for everyone. Also, if you're impatient with complex plots - multiple suspects, interweaving motives, timelines that jump around - you might get frustrated. I had to rewind a few times when my post-shift brain got foggy.

But for anyone who needs something smart and dark to survive night shift drives? This one's got your back.

Clocking Out

Carlos asked why I sat in the driveway for fifteen minutes after getting home. I told him I was "decompressing." Really I just needed to hear how one particular thread resolved.

This is the kind of thriller that respects your intelligence. It doesn't hand you answers. It makes you work for them. Locked On does the same thing - complex plotting that trusts you to keep up. And Ferrone's narration turns a 12-hour listen into something that actually flies by.

My mom would probably hate this. (She thinks I should read "uplifting" books. She also still thinks I should've been a doctor.) Night shift approved. Just maybe don't start it right before you need to sleep.

Chart Review πŸ“Š

Audio production quality notes that may affect your listening experience

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Read by a single narrator throughout the entire audiobook.

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Quick Info

Release Date:October 25, 2012
Duration:12h 15m
Language:English
Audio Code:58694736

About the Narrator

Richard Ferrone

Richard Ferrone was a lawyer-turned-actor who transitioned to audiobook narration in the early 2000s. He narrated over 150 audiobooks, specializing in thrillers, detective novels, and action-packed stories, and was known for his gritty, masculine voice and strong acting ability. He passed away in 2022.

62 books
4.2 rating

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