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Radium Girls: The Dark Story of America’s Shining Women audiobook cover

Radium Girls: The Dark Story of America’s Shining WomenCorporate greed meets glowing death in the 1920s

by Kate Moore🎤Narrated by Angela Brazil
🔵 Worth Credit
✍️ 4.5 Editorial
🎤 3.0 Narration
15h 54m
🎖️

Mission Brief

Corporate greed meets glowing death in the 1920s

  • Op Tempo: Infuriating, heartbreaking, and historically dense.
  • Comms Quality: Clear but technically flawed with unedited mouth noises.
  • Production Quality: A bit rough around the edges; lacks polish.
  • Final Assessment: Worth a Credit

Is this for you?

Pick this if: you want an infuriating true story of corporate greed and extraordinary courage · you love deeply researched American history and can tolerate imperfect audio production · you appreciate graphic unflinching nonfiction and don't mind a sharp narration style
Skip if: you need pristine audio production or mouth noises will drive you crazy · you prefer warm storytelling narration over a crisp newsreel-style delivery · you can't handle graphic medical descriptions of radiation poisoning and decay
📚Best for fans of: Alexander Hamilton by Ron Chernow, The Immortal Life of Henrietta Lacks by Rebecca Skloot, Devil in the White City by Erik Larson
Read Time3 min read
Duration15h 54m
Best Speed:1.25x recommended
Your rating?
James Cooper, audiobook curator
Reviewed byJames Cooper

Retired Colonel, 25 years Army. Cried during The Things They Carried.

🎧 Listens during Austin traffic, looks for stories that hit like shrapnel, zero tolerance for getting military details wrong.

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Deployment Zone 📍

I was sitting in bumper-to-bumper traffic on I-35, staring at the brake lights of a Tesla, when this book finally broke me.

Look, I've spent twenty-five years in the Army. I've seen what happens when things go kinetic. I've seen what shrapnel does to a human body. But nothing—and I mean nothing—prepared me for the absolute horror show that is The Radium Girls.

Here's the sitrep: It's 1917. The boys are in the trenches in Europe. Back home, young women are flocking to factories to paint luminous dials for military watches. It's patriotic. It pays well. And the paint makes them glow in the dark. Literally. They painted their nails with it. Their teeth. They were "the ghost girls."

(If you know anything about radiation poisoning, you're already wincing. I was gripping the steering wheel so hard my knuckles turned white.)

WHEN THE CHAIN OF COMMAND FAILS YOU

The author, Kate Moore, did her homework. She documents everything. The diaries, the court transcripts, the letters. And it paints a picture of corporate negligence that makes some of the FUBAR situations I saw in Iraq look like well-oiled machines.

These companies knew. Or they should've known. And when the girls started losing their teeth—and then their jawbones—the executives denied it. They blamed syphilis. They stalled until the statute of limitations ran out.

It's the ultimate betrayal. These women were soldiers in their own right, supporting the war effort, and they were poisoned by their own commanders for a profit margin. As a guy who runs a security firm now, dealing with corporate risk, this hit a nerve. It's a leadership failure of the highest order.

THE VOICE IN THE EARPIECE

Now, let's talk about the narration. Angela Brazil reads this.

I checked the intel before I started—reviews are all over the map. Some folks say she's robotic. Some say she's harsh.

Here's my take: She's clear. Her diction is crisp. At 1.25x speed (my standard operating procedure), she keeps the pace moving. But—and it's a big but—there are production issues.

You can hear her swallow. You can hear mouth noises.

For a guy who spent years listening to static-filled radio comms in C-17s, I can tune it out. But if you're the type of listener who needs pristine, studio-perfect silence between words? This might drive you up the wall. It’s sloppy editing, plain and simple.

Also, her tone is... distinct. It's almost like a newsreel from the 1940s. A bit sharp. It didn't bother me much because it fits the era, but I can see why some people bailed. It lacks that warm, storytelling vibe you get with other histories.

THE CASUALTY COUNT

Be warned: The medical descriptions are graphic.

Moore doesn't pull punches. When she describes a jawbone simply coming loose in a dentist's hand... yeah. I had to pause the track. Even Ranger, my German Shepherd, lifted his head off the passenger seat a few times, probably sensing my stress levels spiking.

But you need to hear it. You need to understand the magnitude of what these women endured while fighting a legal battle on their deathbeds. It's not just a history book; it's a testament to grit. These girls had more courage in their little fingers (what was left of them) than the entire board of directors at the United States Radium Corporation.

FINAL THOUGHTS OVER COFFEE

Is it an easy listen? No. It's infuriating and heartbreaking.

Is the production perfect? Negative. The audio quality has some gremlins.

But is it worth your time? Absolutely. It’s a piece of American history that got swept under the rug for too long. I had a similar reaction to Alexander Hamilton—another deep dive into American history that deserves more attention than it gets in high school textbooks. Just maybe check the sample first to make sure Brazil's voice doesn't grate on you.

Mission accomplished, Kate Moore. You did them justice.

After-Action Report 📋

Audio production quality notes that may affect your listening experience

🎙️

Read by a single narrator throughout the entire audiobook.

🔇

Some audio quality issues noted by reviewers.

Note: These technical issues are minor and won't significantly impact most listeners. Consider them when choosing listening environments or if you're particularly sensitive to audio quality.

Quick Info

Release Date:May 2, 2017
Duration:15h 54m
Language:English
Best Speed:1.25x
Audio Code:58694736

About the Narrator

Angela Brazil

Angela Brazil is a professional actor and an AudioFile Earphones Award-winning audiobook narrator. She is a long-standing member of the Resident Acting Company at Trinity Repertory Company and a faculty member at the Brown/Trinity Conservatory. She holds an MFA from the University of Iowa and lives in Lincoln, Rhode Island with her family.

2 books
3.3 rating

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