🎧
AudiobookSoul
Stopover audiobook cover

StopoverFirst-class chemistry with turbulence in the middle

by T L Swan🎤Narrated by Cj Bloom📚The Miles High Club #1
✍️ 3.5 Editorial
🎤 4.5 Narration
Borrow Stream
12h 58m
🏥

Triage Notes

First-class chemistry with turbulence in the middle

  • Bedside Manner: Sebastian York and CJ Bloom deliver chemistry you can actually feel, making the dual POV format work beautifully.
  • Shift Tempo: Strong opening and ending, but the middle drags with repetitive conflicts that could've been trimmed significantly.
  • Spice/Tropes: Billionaire-boss, one-night-stand-reunion, and slow burn with explicit scenes that feel earned rather than gratuitous.
  • Discharge Summary: Borrow/Stream
Read Time4 min read
Duration12h 58m
Best Speed:1.25x recommended for middle sections
Your rating?
Maria Santos, audiobook curator
Reviewed byMaria Santos

Healthcare worker, 15 years hospital experience. Yells at dashboard when medical thrillers get it wrong.

🎧 Listens best driving home post-shift, needs commitment to absurd premises, turned off by medical inaccuracies.

Last updated:

Share:

I grabbed this one because I needed something light after a brutal stretch of night shifts. Three codes in one week, two of them pediatric. Sometimes you need a romance novel that asks absolutely nothing of you except to show up and enjoy the ride.

And this one? It delivered. Mostly.

The Setup That Actually Works

Here's the thing about romance premises - they're either going to make you roll your eyes or lean in. Upgraded to first class, meets a hot stranger, plane gets grounded, one magical night in Boston, then - plot twist - he's her new CEO a year later? I mean. It's a lot. But T.L. Swan commits to it so fully that you just... go with it.

The first few hours flew by. I was driving home at 7 AM after a night shift, windows down, coffee in hand, genuinely invested in whether these two would figure their stuff out. The banter is sharp. The chemistry is there. Emily's got this stubborn streak that I appreciated - she's not just falling at his feet because he's rich and has "naughty blue eyes" (a phrase I heard approximately 47 times, but who's counting).

Carlos asked why I was smiling at my dashboard. I told him it was the coffee.

Sebastian York and CJ Bloom Are Doing Heavy Lifting

The narration is where the audiobook really earns its keep. Sebastian York doing the male lead? Chef's kiss. The man knows how to deliver a line with just enough heat without tipping into cringe territory. And CJ Bloom as Emily brings this warmth and sass that makes you actually root for her.

The dual narration works beautifully here - you get both perspectives without it feeling choppy or disjointed. When they switch between chapters, it feels natural. Like you're getting the full picture instead of just one side. Some listener reviews said the narration is what kept them going, and honestly? I get it. These two could probably make a grocery list sound romantic.

But Here's Where I Started Checking the Time

Thirteen hours. Thirteen. Hours.

I love a slow burn as much as the next person, but somewhere around hour eight, I started wondering if we really needed that third misunderstanding. Or the fourth. The middle section drags - there's a lot of back and forth, a lot of "will they communicate like adults" (spoiler: not for a while), and some plot points that could've been trimmed without losing anything essential.

One review I saw said this could've been cut almost in half. That's maybe harsh, but I understand the impulse. There were nights I'd get home, put this on, and find myself zoning out during yet another internal monologue about whether Emily should trust her feelings. I get it, girl. You're conflicted. We've established this.

That said - the pacing issues didn't ruin it for me. They just made it a "skip around a bit" kind of listen rather than a "hang on every word" experience.

The Spice Factor (Since We're All Wondering)

Yeah, it's there. This isn't a fade-to-black situation. If you're listening in the car with your kids, maybe... don't. I had the same problem with Freshman Fantasy - great narration, but not exactly parking-lot-friendly content. I had to quickly switch to a podcast once when I pulled into the hospital parking lot and realized where the scene was heading. My coworkers do not need to know what I listen to on my commute.

The intimate scenes are well-written, though. Not clinical, not over-the-top. They feel like a natural extension of the chemistry that's been building. Sebastian York handles these sections with exactly the right energy - confident without being sleazy.

Who Should Queue This Up (And Who Should Pass)

If you love the billionaire-boss trope and don't mind a longer listen, this is solid. The narration elevates material that could've felt generic in lesser hands. It's perfect for long commutes, road trips, or - like me - decompressing after shifts where you've seen too much and need something that promises a happy ending. Skip it if you're impatient with pacing or if the "he's secretly my CEO" premise makes you want to throw things. Know thyself.

Clocking Out

For me? It was exactly what I needed. Not perfect, not life-changing, but satisfying in that specific way that a good romance audiobook can be. Like comfort food for your ears.

Night shift approved. Just maybe bump it to 1.25x speed during the middle stretch.

Chart Review 📊

Audio production quality notes that may affect your listening experience

Quick Info

Release Date:October 29, 2019
Duration:12h 58m
Language:English
Best Speed:1.25x
Audio Code:58694736

About the Narrator

Cj Bloom

C.J. Bloom is an actress and voice-over artist based in New York City. She has narrated close to 1000 audiobooks across various genres including romance, children's literature, and thrillers. She is passionate about performance and brings versatility to her narration work.

18 books
3.9 rating

Enjoyed this review? Rate it!

📬

Get Weekly Audiobook Picks

Join listeners getting honest reviews from our curators every Monday. No spam. Unsubscribe anytime.

Subscribe on Substack