Okay, so I have a bone to pick with Alexandra Fuller. Not really, but kind of? She made me cry while I was on a deadline for a logo redesign, and now I associate that client's brand with ugly-crying into my third cup of coffee. Frida was giving me serious side-eye from across the room. Diego just left. Even my cats couldn't handle the vibes.
Here's the thing about this book - it doesn't have a plot in the traditional sense. And honestly? I didn't care. Not even a little bit. Because what it DOES have is this raw, messy, beautiful meditation on losing your dad and trying to figure out who you are when the person who shaped you is suddenly just... gone.
When the Author IS the Narrator
Fuller reading her own words hits different. There's no performance here, no actor trying to interpret someone else's grief. It's just her, telling you about her father, and you can HEAR the love. The way she voices her mother - spot on, apparently exactly how she sounds - added this layer of intimacy that made me feel like I was eavesdropping on family conversations I had no business hearing.
Her delivery walks this incredible line between humor and devastation. One minute she's got you laughing at some ridiculous thing her dad did (the man was CHAOS personified, and I mean that as the highest compliment), and the next you're reaching for tissues because she's describing the weight of his absence. The emotional range is - ugh, my heart. MY HEART.
I listened at my usual 1.0x because rushing through grief felt wrong somehow. This isn't a book you speedrun. You sit with it. You let it wash over you while you're adjusting kerning on typography you don't care about.
Memory Doesn't Move in Straight Lines
Some people are going to pick this up expecting a memoir with a clear arc. Beginning, middle, end. Character growth you can chart on a graph. That's not this book. Fuller moves through time like memory actually works - jumping between the days after her father's death, her childhood in Africa, random moments that meant nothing until suddenly they meant everything.
It's less a story and more a feeling. A rainy Sunday book, for sure. The kind you listen to when you want to feel something real and complicated and human.
Her father, Tim Fuller, sounds like the kind of person who would have driven me absolutely insane but also made life infinitely more interesting. A banana farmer in Zambia. A man who preferred chaos to predictability. Someone who taught his daughters to live like everything needed to happen all at once or not at all. Abuela would have loved this one - she always said life was too short for boring people, and Tim Fuller was clearly never boring.
The Gut-Punch Moments
There's this bit early on - the anecdote about her dad promising to share the secret of life and then realizing he doesn't have one. Just him and his dog, sitting there, content with not having answers. I had to pause. Put down my stylus. Just... sat there for a minute.
Fuller writes about grief the way it actually feels - not linear, not clean, not something you process and move past. It's messy. It circles back. It catches you when you're doing something mundane like making tea or, I don't know, designing a logo for a client who will never know they're forever associated with my tears now. Becoming had that same sneaky quality - hitting me hardest during the quiet, ordinary moments between the big revelations.
The African setting adds this whole other layer - vivid and alive and sometimes brutal. But it never feels like set dressing. It's woven into who her father was, who she became. The chaos and beauty and tragedy of that life shaped everything.
Who This Is (and Isn't) For
If you're looking for something plot-driven, this isn't it. If you're sensitive to grief narratives, maybe skip this one - or save it for when you're ready. But if you want something that makes you FEEL - deeply, messily, beautifully - this is your book.
Adding This to My Spreadsheet
Would I listen again? Yes. But not soon. I need to recover. This book felt like sitting with a friend who's finally ready to talk about their loss - really talk about it - and you're just there, holding space, crying with them.
Crying sessions: three. Worth it: absolutely.








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